As long as I can remember, I have loved images of Brolgas. They are a crane-like bird that lives in marshes and on the plains. One of my favorite images is from Sidney Long called Spirit of the Plains. It has a woman with pipes, walking through long grass, followed by a dancing set of Brolgas.
Here she is the piper, and they her companions. Dancing, weaving, living spirit beings. It is almost as if the flute and grasses dance together to create their wild energy.
Along the way to finding my own art style, I found these illustrations for inspiration. I particularly admire the metamorphic image towards the right. The transformation image by Judy Prosser is brilliant. This image gave me the idea of playing with watercolor for my own images.
My first drawing steps were in pen and ink. I typically like to use a .01 pen as it creates very fine lines. I use a gestural style, where I don’t try to fill in all the details. Later, I come back and add the color, let the watercolor dictate the color blends. Then I take it into digital and push the values, erase where needed, and focus on areas around the ‘face’ of the animal.
Brolga stories
These images are the sketches for the Billabong Flats children’s stories. Brolga dances in the grasses, down by the water. The spirit of movement, the play of wings and wind, these are her ways.
The graceful cranes, high-stepping in the marsh make me want to move. I am drawn to the rhythm, the sweep of the wings, and the capture of lively abandonment to the moment. Watching and drawing these birds gives me joy.
The first image above is available as a print from my store at Society6.
It was a quiet day at home on Saturday. Picked up the iskn tablet for the first time and installed the software. It was a bit mysterious at first, with some back and forth to the manual. Once it was connected and charged, I was good to go. The tutorials were surprisingly helpful. The only thing I had trouble with, at first, was the orientation of the tablet and screen. I wanted portrait, and it kept coming up landscape. If all else fails, read the directions. Got that sorted, and started drawing. It was an intuitive and expressive tool to use. I’ll be giving it a good try out over the next week, to see where it fits into my drawing patterns. My first impression: how easy and fluid it was to use. It felt just as natural as drawing with a pen.
My first drawing, using the iskn, was about getting used to the pen device. I played around with pressure and such, angle of the pen, and pretty much stuck to the default pen setting this time around. There’s a ring that fits around your own pen, and a couple of magnetic rings around a stylus and pen that comes with the iskn. The drawing tablet has all these magnetic spots that line up with what you are drawing. It’s really quite smooth. Using any paper of your choice, you are freed up to draw and have the illustration appear on the screen as you draw it. It felt quite a lot more expressive than a Wacom tablet, which I already have. It also has a cord-free mode and some online storage, so you can use it on the go. Haven’t tried that yet, but will do so in short order.
Ria Loader 